The West Wing: The Fake Debate
The President of Projection is what I used to call Bill Clinton, when I heard people getting mad at him for not pushing more of the liberal agenda, and this was at the beginning of his first term when he was trying, and getting smacked down in Washington for the effort.
In fact, the presidency is a job that an actual person has to perform, and the executive branch is a collection of lots of people who all have the same 24 hour day as the rest of us.But it can't be ignored that the presidency is symbolically much more than that. People will always project their hopes and dreams, their standards and expectations, however unrealistic, on the single figure who all Americans are eligible to vote for.
We need that symbol of our sense of ourselves.So to many people, including me, the real President for the last six years has been Jeb Bartlett, played by Martin Sheen on The West Wing. If for no other reason that he has better writers. He was able, through word and deed, to articulate what many of us would hope our President would be.
Now The West Wing is changing administrations. This season so far has been largely devoted to the campaign between Democrat Rep. Matt Santos (played by Jimmy Smits) and Republican Senator Arnold Vinick (Alan Alda.) To add the breathing room of fantasy to its "ripped from the headlines" topicality, it's Santos who is from Texas (a Latino liberal) and Vinick who is from California (conservative but not far right.)Sunday night was the Sweeps gimmick: a show almost entirely given over to a scripted candidate debate, done live twice (for eastern and western time zones) and shot much like a network presidential debate (although the director had an uncanny habit of knowing exactly which one was going to say something important, and having the camera on him as he said it.)
Monday the reviews started coming in. Tom Shales of the Washington Post and Doug Elfman of the Chicago Sun Times were underwhelmed. The Associated Press reported that the faux debate was seen by an estimated 9.6 million viewers, up from the 8.2 million that followed the show to its early Sunday night slot from its accustomed 9p Wednesday this season.
Several stories criticized the use of the NBC News logo, which was kept on the screen while TV newsman Forrest Sawyer acted the part of a TV newsman running the debate---and could get a supporting actor nomination, while demonstrating just how much the oncamera news role is acting rather than reporting.
As a piece of theatre, script author Lawrence O'Donnell (a Clinton White House vet who does political consulting when he's not producing TV) immediately opened the possibilities for real drama by having Senator Vinick suggest that the stifling rules of non-engagement be loosened and the candidates really debate. When Santos agreed, the participants were free to ramble, ask each other sharp questions, interupt and argue.
O'Donnell mixed in some reminicent moments---Santos explaining his "I voted for it before I voted against it" statement, Vinick pulling a fountain pen from his pocket to emphasize his intent to veto something, just as Bill Clinton during a State of the Union message, when he thought opponent might spoil his supposedly popular health care plan by making it less than universal. They did that, all right.
There were the West Wing moments we've come to know and love when we finally hear someone articulately and cogently express a position the way we've been waiting for, as when Santos defends the title of "liberal." People who watched the whole debate learned things from "both candidates," like the hyper-efficiency of Medicare compared to corporate health care, or the burden of heavy taxation in Africa.
But my overwhelming impression of the debate content was that it's Lawrence O'Donnell, a pragmatic middle of the road liberal, talking to himself. There was some edge to Santos and Vinick, but not much. I'll bet a social evening with O'Donnell would result in the same basic mix of sensible and provocative opinions.
In terms of performance (West Coast version), Alda seemed much more at ease with the live format, and he owned the stage. Smits had his moments, but he didn't seem at home in this form.
To further confuse realities, Zogby, the real polling firm, has been polling on voter/viewer preferences as if this is a real race, although the electorate is restricted to West Wing viewers. They even did a snap poll after the debate. As reported by MSNBC, Santos/Smits won it, 54 percent to 38 percent, but Vinick/Alda gained in overall preference: in the pre-debate poll, 59 percent favored Santos to 29% for Vinick.
It shouldn't be too surprising that West Wing fans favor the Democrat. While the producers are tempted by the dramatic possibilities of switching to a Republican administration, they would risk losing a chunk of the show's core viewers (including me. One Republican President at a time is more than enough.) Clues to a Santos victory are found less in the substance of debate issues than in the fact that supporting characters in the Vinick campaign are less well developed than among the Dems. Plus a Vinick victory would likely mean an instant and near total change in the cast, several of whom are involved enough in the Santos campaign to make the transition. TV dramas seldom replace a cast wholesale except as a last ditch effort to cut costs and win a new audience.
So President Bartlett will be gone, and that alone will be a tough change for this series to weather. Of course, there's the possibility that this is the show's last season, though that's not yet part of the buzz. I shudder to think what the next three years would be like with George Bush as the only President of the U.S.
Although if her show can weather its own creative storms and survive the season, there could be Geena Davis.
A World of Falling Skies
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Since I started posting reviews of books on the climate crisis, there have
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